Zhuangzi

Zhuangzi, Chapter 9: Book 9, Chapter 9: Horses' Hoofs

Chapter 9 of Chuang Tzŭ.

Translation

Horses' Hoofs

CHAPTER IX.

HORSES' HOOFS.

Argument:--Superiority of the natural over the artificial--Application of this principle to government.

Horses have hoofs to carry them over frost and snow; hair, to protect them from wind and cold. They eat grass and drink water, and fling up their heels over the champaign. Such is the real nature of horses. Palatial dwellings are of no use to them.

One day Poh Loh1 appeared, saying, "I understand the management of horses."

So he branded them, and clipped them, and pared their hoofs, and put halters on them, tying them up by the head and shackling them by the feet, and disposing them in stables, with the result that two or three in every ten died. Then he kept them hungry and thirsty, trotting them and galloping them, and grooming, and trimming, with the misery of the tasselled bridle before and the fear of the knotted whip behind, until more than half of them were dead.

The potter says, "I can do what I will with clay. If I want it round, I use compasses; if rectangular, a square."

The carpenter says, "I can do what I will with wood. If I want it curved, I use an arc; if straight, a line."

But on what grounds can we think that the natures of clay and wood desire this application of compasses and square, of arc and line? Nevertheless, every age extols Poh Loh for his skill in managing horses, and potters and carpenters for their skill with clay and wood. Those who govern the empire make the same mistake.

Now I regard government of the empire from quite a different point of view.

The people have certain natural instincts;--to weave and clothe themselves, to till and feed themselves. These are common to all humanity, and all are agreed thereon. Such instincts are called "Heaven-sent."

And so in the days when natural instincts prevailed, men moved quietly and gazed steadily. At that time, there were no roads over mountains, nor boats, nor bridges over water. All things were produced, each for its own proper sphere. Birds and beasts multiplied; trees and shrubs grew up. The former might be led by the hand; you could climb up and peep into the raven's nest. For then man dwelt with birds and beasts, and all creation was one. There were no distinctions of good and bad men. Being all equally without knowledge, their virtue could not go astray. Being all equally without evil desires, they were in a state of natural integrity, the perfection of human existence.

But when Sages appeared, tripping people over charity and fettering with duty to one's neighbour, doubt found its way into the world. And then with their gushing over music and fussing over ceremony, the empire became divided against itself2.

Were the natural integrity of things left unharmed, who could make sacrificial vessels? Were white jade left unbroken, who could make the regalia of courts? Were Tao not abandoned, who could introduce charity and duty to one's neighbour? Were man's natural instincts his guide, what need would there be for music and ceremonies? Were the five colours not confused, who would practise decoration? Were the five notes not confused, who would adopt the six pitch-pipes?3

Destruction of the natural integrity of things, in order to produce articles of various kinds,--this is the fault of the artisan. Annihilation of TAO in order to practise charity and duty to one's neighbour,--this is the error of the Sage.

Horses live on dry land, eat grass and drink water. When pleased, they rub their necks together. When angry, they turn around and kick up their heels at each other. Thus far only do their natural dispositions carry them. But bridled and bitted, with a plate of metal on their foreheads, they learn to cast vicious looks, to turn the head to bite, to resist, to get the bit out of the mouth or the bridle into it. And thus their natures become depraved,--the fault of Poh Loh.

In the days of Ho Hsü4 the people did nothing in particular when at rest, and went nowhere in particular when they moved. Having food, they rejoiced; having full bellies, they strolled about. Such were the capacities of the people. But when the Sages came to worry them with ceremonies and music in order to rectify the form of government, and dangled charity and duty to one's neighbour before them in order to satisfy their hearts,--then the people began to develop a taste for knowledge and to struggle one with the other in their desire for gain. This was the error of the Sages5.

Practical Reading

Book 9: Horses' Hoofs -- 马蹄 (mǎtí)

Zhuangzi begins with a vivid image of horses in their natural state: "Horses have hoofs to carry them over frost and snow; hair, to protect them from wind and cold. They eat grass and drink water, and fling up their heels over the champaign." Then comes Poh Loh, the famous horse-trainer, who brands them, clips them, halters them, houses them in stables--and by these "improvements," kills more than half of them. Through this parable, Zhuangzi develops his most sustained critique of civilization itself and its corrupting effects on natural human goodness.

Key Modern Applications:

1. Poh Loh's Management -- Poh Loh "understood the management of horses"--and his understanding killed them. The parallel to modern management is explicit: the leader who implements systems that destroy what they seek to optimize. The call center that scripts every interaction and watches every metric, then wonders why customers hate the experience; the school that standardizes curriculum and tests constantly, then wonders why students lose curiosity; the company that optimizes for efficiency, then wonders why innovation disappears. All are Poh Loh, proud of their management techniques while the horses die.

2. The Potter and the Carpenter -- The potter says, "I can do what I will with clay. If I want it round, I use compasses." The carpenter says the same of wood. "But on what grounds can we think that the natures of clay and wood desire this application of compasses and square?" This exposes the fundamental error: treating materials as raw resources to be shaped rather than as having their own nature. The UX researcher who treats users as problems to solve; the urban planner who treats neighborhoods as spaces to optimize; the product manager who treats markets as opportunities to capture--all assume that their tools (compasses and squares) improve what they work on. Zhuangzi asks: what if the nature of what you're shaping doesn't want your shape?

3. The Golden Age When Birds Could Be Led by Hand -- "In the days when natural instincts prevailed, men moved quietly and gazed steadily... man dwelt with birds and beasts, and all creation was one. There were no distinctions of good and bad men." This nostalgic vision isn't meant as historical claim but as philosophical counterpoint: what if our fundamental assumptions about human nature are wrong? What if people don't need to be improved, managed, incentivized, corrected? What if the entire apparatus of civilization--laws, morality, education, management--is solving a problem that we created by imposing it?

4. The Corruption of the Horse -- "When pleased, they rub their necks together. When angry, they turn around and kick up their heels at each other. Thus far only do their natural dispositions carry them. But bridled and bitted... they learn to cast vicious looks, to turn the head to bite, to resist." The training meant to make horses useful has made them dangerous. This pattern repeats everywhere: the micromanaged employee who becomes passive-aggressive; the strictly controlled child who becomes rebellious; the heavily regulated industry that becomes expert at evasion. The controls create the very behavior they were meant to prevent.

5. The Error of the Sages -- "When Sages appeared, tripping people over charity and fettering with duty to one's neighbour, doubt found its way into the world." This is Zhuangzi's most radical claim: moral instruction itself corrupts. Not because morality is bad, but because making it explicit destroys natural goodness. The organization that publishes values statements then watches people game them; the relationship that defines explicit expectations then sees partners lawyer around them; the culture that codifies ethics then finds people following letter while violating spirit. When virtue becomes a requirement rather than a natural expression, it becomes a new form of control--and resistance follows.

Action Step: Identify one system you've built or participate in--for your family, your team, your organization--that is, like Poh Loh's management, inadvertently killing what it seeks to improve. What would it look like to remove some of the "bridles and bits"? This week, experiment with less control rather than more, and observe what happens to the "horses."

Notes

  1. A Chinese Rarey, of somewhat legendary character.
  2. Music and ceremonies are important factors in the Confucian system of government.
  3. See chs. viii and x.
  4. A legendary ruler of old.
  5. The simplicity of style, and general intelligibility of this chapter have raised doubts as to its genuineness. But as Lin Hsi Chung justly observes, its sympathetic tone in relation to dumb animals, stamps it, in spite of an undue proportion of word to thought, as beyond reach of the forger's art.